{"id":3957,"date":"2014-11-21T23:21:10","date_gmt":"2014-11-21T23:21:10","guid":{"rendered":"http:\/\/donusumatolyesi.org\/?page_id=3957"},"modified":"2014-11-21T23:23:23","modified_gmt":"2014-11-21T23:23:23","slug":"hakkimizda","status":"publish","type":"page","link":"https:\/\/donusumatolyesi.org\/?page_id=3957","title":{"rendered":"Hakk\u0131m\u0131zda"},"content":{"rendered":"

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\n\t\t\"\"<\/a>\n\t\t<\/div><\/div><\/figure>\n

DAO’NUN GE\u00c7M\u0130\u015e\u0130 ve YAPISI<\/h2>\n

D\u00f6n\u00fc\u015f\u00fcm At\u00f6lyesi Oyuncular\u0131 (DAO), 2000 y\u0131l\u0131ndan beri \u00e7al\u0131\u015fmalar\u0131n\u0131 s\u00fcrd\u00fcren Tiyatro Kordelya 2005 y\u0131l\u0131nda, teatral g\u00f6r\u00fc\u015f farkl\u0131l\u0131\u011f\u0131 ve farkl\u0131 hedeflere y\u00f6nelmek iste\u011fi nedeniyle, \u00fcretimi desteklemek amac\u0131yla grup \u00fcyelerinin iste\u011fi \u00fczerine ikiye ayr\u0131lm\u0131\u015ft\u0131r. “D\u00f6n\u00fc\u015f\u00fcm At\u00f6lyesi Oyuncular\u0131 (DAO)” bu s\u00fcre\u00e7 sonunda ortaya \u00e7\u0131kan gruplardan birisidir. DAO’nun teatral ge\u00e7mi\u015fi ve gelece\u011fi amat\u00f6rl\u00fck \u00fczerinedir. Grubu olu\u015fturan herkesin farkl\u0131 profesyonellikleri vard\u0131r. Grup \u0130zmir’de 2005 y\u0131l\u0131ndan beri aktif olarak \u00e7al\u0131\u015fmaktad\u0131r.<\/p>\n

DAO’YA G\u00d6RE SANAT<\/h2>\n

DAO’ya g\u00f6re sanat, bir d\u00fcnyada kalma \u00e7abas\u0131, hayata tutunabilme aray\u0131\u015f\u0131d\u0131r. Tiyatro; ya\u015fanan -ya\u015fat\u0131lan- hayata kar\u015f\u0131 bir alternatif sunma \u00e7abas\u0131d\u0131r. \u00c7\u00fcnk\u00fc D\u00f6n\u00fc\u015f\u00fcm At\u00f6lyesi Oyuncular\u0131 i\u00e7in fark\u0131ndal\u0131k yaln\u0131zca bir d\u00fc\u015f\u00fcnce bi\u00e7imi de\u011fil bir eylem bi\u00e7imidir. Fark\u0131nda olan ki\u015fi i\u00e7in bir\u015feylere ra\u011fmen ve kar\u015f\u0131 hayatta kalabilmek ac\u0131 i\u00e7eren bir s\u00fcre\u00e7tir.<\/p>\n

Bizler bu ac\u0131n\u0131n olumlu bir enerji ve eyleme d\u00f6n\u00fc\u015ferek bir \u00fcretim haline gelmesine \u00e7al\u0131\u015f\u0131yoruz. \u0130nsanlar\u0131n kar\u015f\u0131s\u0131na ge\u00e7ip ba\u015fka bir d\u00fcnya d\u00fc\u015fl\u00fcyoruz. \u00c7\u00fcnk\u00fc Thomas Brasch’\u0131n da dedi\u011fi gibi “sanat\u0131n g\u00f6revi biraz da insanlar\u0131 hayaller ya da karabasanlarla uyan\u0131k tutmakt\u0131r. E\u011fer bir toplum, insanlar\u0131n arzular\u0131n\u0131n ortadan kald\u0131r\u0131lmas\u0131na sesini \u00e7\u0131karmayacak duruma geldiyse, o zaman g\u00fc\u00e7l\u00fcler amac\u0131na ula\u015fm\u0131\u015f demektir. Oysa d\u00fc\u015fleri k\u00fc\u00e7\u00fcmsememek gerekir. Her \u015fey bir d\u00fc\u015fle ba\u015flar \u00e7\u00fcnk\u00fc. Bu y\u00fczden de tiyatronun g\u00fcn\u00fcm\u00fczde i\u015flevini yitirdi\u011fine, \u00f6ld\u00fc\u011f\u00fcne inanam\u0131yoruz. \u00c7\u00fcnk\u00fc t\u00fcm olup bitene kar\u015f\u0131, hayat\u0131n kar\u015f\u0131s\u0131nda durup a\u00e7\u0131k a\u00e7\u0131k d\u00fc\u015f kurmak gerekiyor. Oynamak gerekiyor.”<\/p>\n

\n

Neden oynamal\u0131: \u00f6l\u00fclere rahat vermemek i\u00e7in
\nYa\u015fayanlara rahat vermemek i\u00e7in
\nHalsiz bir toplumu korkutarak derin uykusundan uyand\u0131rmak i\u00e7in… \u0130mdat, ya\u015f\u0131yorum!<\/em><\/blockquote>\n

DAO’NUN T\u0130YATRO D\u00dc\u015e\u00dcNCES\u0130 \u00dcZER\u0130NE<\/h2>\n

DAO i\u00e7in tiyatro yapma d\u00fc\u015f\u00fcncesi, fark\u0131ndal\u0131\u011f\u0131n d\u0131\u015favurmas\u0131ndan do\u011fmu\u015ftur. Akl\u0131n ve bilginin varl\u0131\u011f\u0131 ile, teatral olan\u0131- aktar\u0131labilir olan\u0131- anla\u015f\u0131l\u0131r bi\u00e7imlerle sahne \u00fczerinde sunmay\u0131 ama\u00e7lar. Evrim s\u00fcrecindeki ya\u015fama ve zamana dair olan de\u011fi\u015fimlerin fark\u0131na var\u0131p, k\u0131\u015fk\u0131rtmak \u00fczerine denemeler yapar ve denenebilir olan\u0131 insan ve \u00e7evresiyle birlikte bir at\u00f6lye ortam\u0131nda i\u015fler ve sergiler. Teatral birikimi, tiyatro i\u00e7in gerekli genel k\u00fclt\u00fcr\u00fc farkl\u0131 disiplinlerle bir araya getirip, yap\u0131labilir olan\u0131 grup\u00e7a tercih eder ve seyirciye ta\u015f\u0131r.<\/p>\n

DAO, Tiyatro Kordelya ad\u0131 alt\u0131nda sergilenen oyunlar:<\/h4>\n

    \n
  • 2003 Deli Akl\u0131 (Tiyatro Bo\u011fazi\u00e7i)<\/li>\n
  • 2004 3+bir (S.Beckett & A.Nesin)<\/li>\n
  • 2005 Ku\u015fkent (Aristophanes’ten uyarlama) -T.C. K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131’n\u0131n Katk\u0131lar\u0131yla-<\/li>\n<\/ul>\n

    DAO ad\u0131 alt\u0131nda sergilenen oyunlar:<\/h4>\n\n
      \n
    • 2006 Yuppi Hayat (E. Corman, J.Jouanneau, E. Durif, E. Schmitt)<\/li>\n
    • 2007 Balkon (Jean Genet)<\/li>\n
    • 2007 Bo\u011fa Zart Zurt Masal\u0131 (Aziz Nesin’den uyarlama)<\/li>\n
    • 2008 D\u00fc\u011f\u00fcmler-\u0130M\u0130Z (DAO)<\/li>\n
    • 2009 Foto\u011fraflama (DAO)<\/li>\n
    • 2011 Gi\u015fe (Jean Tardieu)<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"

      DAO’NUN GE\u00c7M\u0130\u015e\u0130 ve YAPISI D\u00f6n\u00fc\u015f\u00fcm At\u00f6lyesi Oyuncular\u0131 (DAO), 2000 y\u0131l\u0131ndan beri \u00e7al\u0131\u015fmalar\u0131n\u0131 s\u00fcrd\u00fcren Tiyatro Kordelya 2005 y\u0131l\u0131nda, teatral g\u00f6r\u00fc\u015f farkl\u0131l\u0131\u011f\u0131 ve farkl\u0131 hedeflere y\u00f6nelmek iste\u011fi nedeniyle, \u00fcretimi desteklemek amac\u0131yla grup \u00fcyelerinin iste\u011fi \u00fczerine ikiye ayr\u0131lm\u0131\u015ft\u0131r. “D\u00f6n\u00fc\u015f\u00fcm At\u00f6lyesi Oyuncular\u0131 (DAO)” bu s\u00fcre\u00e7 sonunda ortaya \u00e7\u0131kan gruplardan birisidir. DAO’nun teatral ge\u00e7mi\u015fi ve gelece\u011fi amat\u00f6rl\u00fck \u00fczerinedir. Grubu olu\u015fturan […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/donusumatolyesi.org\/index.php?rest_route=\/wp\/v2\/pages\/3957"}],"collection":[{"href":"https:\/\/donusumatolyesi.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/donusumatolyesi.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/donusumatolyesi.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/donusumatolyesi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3957"}],"version-history":[{"count":2,"href":"https:\/\/donusumatolyesi.org\/index.php?rest_route=\/wp\/v2\/pages\/3957\/revisions"}],"predecessor-version":[{"id":3961,"href":"https:\/\/donusumatolyesi.org\/index.php?rest_route=\/wp\/v2\/pages\/3957\/revisions\/3961"}],"wp:attachment":[{"href":"https:\/\/donusumatolyesi.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3957"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}