{"id":3979,"date":"2014-11-21T23:39:54","date_gmt":"2014-11-21T23:39:54","guid":{"rendered":"http:\/\/donusumatolyesi.org\/?p=3979"},"modified":"2014-11-24T22:55:38","modified_gmt":"2014-11-24T22:55:38","slug":"2009-normal","status":"publish","type":"post","link":"https:\/\/donusumatolyesi.org\/?p=3979","title":{"rendered":"2009 | Normal"},"content":{"rendered":"

2009 | Normal (Bir Foto\u011fraf-lama Projesi)<\/h2>\n
B\u00f6yle bir ortamda,<\/em>
\n Bu y\u00fczden,<\/em>
\n Durum bu..<\/em>.<\/blockquote>\n

“Yanl\u0131\u015f anl\u0131yorsun. \u00c7\u00fcnk\u00fc yanl\u0131\u015f g\u00f6r\u00fcyorsun. Ac\u0131y\u0131 an\u0131msat\u0131rlar; oysa has ya\u015famlard\u0131r.”<\/em><\/p>\n

Bunlar\u0131n hi\u00e7biri kurmaca foto\u011fraflar de\u011fil. Ya\u015fanm\u0131\u015f, ya\u015fanmakta olan ger\u00e7ek ac\u0131lard\u0131r. G\u00f6z\u00fcm\u00fcze \u00e7al\u0131nan ac\u0131lar\u0131 bir sayfa \u00e7evirir gibi unutmay\u0131, g\u00f6zden yitirmeyi becerebilmemizden al\u0131r g\u00fcc\u00fcn\u00fc. Renkle, \u0131\u015f\u0131kla ve binbir d\u00fczenbazl\u0131kla b\u00fcy\u00fcler bu foto\u011fraflar – ya\u015fanan an’a ortak eder. B\u00fct\u00fcn bunlar\u0131 g\u00f6r\u00fcp ge\u00e7irip, ac\u0131n\u0131n e\u015fi\u011fine gelenleri izlemeyi se\u00e7enler aram\u0131zda serbest\u00e7e dola\u015f\u0131rken, insanlar yerlerinden ho\u015fnut bi\u00e7imde vurucu r\u00fczgarlar\u0131n kendilerini rahats\u0131z etmeden ge\u00e7mekte oldu\u011funu okurken, duyarken – ger\u00e7ekleri g\u00f6rmez ve bakmak istemezken – ya\u015fam \u015fa\u015f\u0131rt\u0131c\u0131l\u0131ktan uzakla\u015ft\u0131r\u0131l\u0131p ac\u0131ya \u015fa\u015f\u0131rmamak g\u00fcnbeg\u00fcn normalle\u015ftirilirken; bunca ac\u0131 foto\u011fraf\u0131 ile kar\u015f\u0131la\u015fmak bir raslant\u0131 m\u0131d\u0131r yoksa raslant\u0131 havas\u0131 verilmi\u015f bir y\u00fczle\u015fme midir?<\/p>\n

Bunca g\u00f6r\u00fcnt\u00fc ile y\u00fczle\u015fmenin, y\u00fczle\u015ftirmenin yarar\u0131 nedir? “\u00d6fke uyand\u0131rmak m\u0131? Kendimizi ‘k\u00f6t\u00fc’ hissettirmek, \u00fcz\u00fcnt\u00fc ve deh\u015fete bo\u011fmak m\u0131? Yas tutmaya yard\u0131mc\u0131 olmak m\u0131? Vah\u015fetin bug\u00fcn cezaland\u0131r\u0131lmas\u0131 m\u00fcmk\u00fcn olmayan uzak ge\u00e7mi\u015fte kald\u0131\u011f\u0131 dikkate al\u0131nd\u0131\u011f\u0131nda, b\u00f6yle g\u00f6r\u00fcnt\u00fclere bakmak sahiden gerekli midir? Bu g\u00f6r\u00fcnt\u00fcleri g\u00f6rd\u00fc\u011f\u00fcm\u00fczde daha iyi mi olaca\u011f\u0131z? Onlar bize bir \u015fey \u00f6\u011fretebilirler mi? Zaten bildi\u011fimiz (bilmek istedi\u011fimiz) \u015feyleri do\u011frulamaktan \u00f6te ne anlamlar\u0131 vard\u0131r?” T\u00fcm bu g\u00f6r\u00fcnt\u00fclere bakmak – bakakalmak, normalle\u015fmenin ke\u015ffi de\u011fil midir?<\/p>\n

Bize g\u00f6sterilen bu ac\u0131lar genellikle do\u011frudan ya da dolayl\u0131 olarak ‘bizim’ ad\u0131m\u0131za y\u00fcr\u00fct\u00fcl\u00fcrken, bunun fark\u0131nda olmak ve buna g\u00f6re davranmak foto\u011fraf\u0131n g\u00f6sterdi\u011fine tepki vermenin tek etkin yoludur. \u0130\u015fte bu foto\u011fraf-lama \u00e7abas\u0131n\u0131n amac\u0131 ya\u015fam\u0131n birbirinden ay\u0131rd\u0131\u011f\u0131 ya da vah\u015fetin par\u00e7alad\u0131\u011f\u0131 \u015feyleri bir araya getirebilmektir. Olaylar\u0131n sessizli\u011fini k\u0131rmak, ac\u0131 ya da y\u00fcrek par\u00e7alayan ya\u015fant\u0131lardan s\u00f6z a\u00e7mak, dile getirmek, bu s\u00f6zc\u00fcklerin duyulabilece\u011fi ve duyuldu\u011funda i\u015fiten kulalar ve g\u00f6ren g\u00f6zlerce yarg\u0131lanabilece\u011fi, umudunu ta\u015f\u0131maktad\u0131r. Ba\u015fkalar\u0131n\u0131n ac\u0131s\u0131na bakabilmek ve sahiplenebilmek ac\u0131n\u0131n kayna\u011f\u0131na ortak olmamakt\u0131r bir anlamda.<\/p>\n

Kaleler var savunulabilir, bir zamanlar savunulabilir s\u0131n\u0131rlar var, \u00f6l\u00fcmler var ama s\u0131n\u0131rlar\u0131n sonu diye bir \u015fey yok… Unutulabilir, yok say\u0131labilir, \u00fcst\u00fc \u00f6rt\u00fclebilir ya\u015fant\u0131lar oldu\u011fu gibi ama ac\u0131n\u0131n s\u0131n\u0131r\u0131 diye bir \u015fey yok…<\/strong><\/p>\n

DAO 2009 sezonunda, uzun zamand\u0131r d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fc, d\u00fc\u015fledi\u011fi bir hayat projesini sahneye ta\u015f\u0131yor. Foto\u011fraf-lama projesi at\u00f6lyenin g\u00fcndemine giren oyun, ana hatlar\u0131 ile ‘olamayan bar\u0131\u015f’, ‘\u015fiddet’ ve ‘normalle\u015fen ac\u0131’ olarak belirlenen temalara dair foto\u011fraflar\u0131n do\u011fa\u00e7lama \u00fczerine kurulu sahnelemesi ile ortaya \u00e7\u0131km\u0131\u015f bir projedir. DAO olarak say\u0131s\u0131n\u0131 sayamad\u0131\u011f\u0131m\u0131z bu ac\u0131lara yak\u0131ndan bakmaya \u00e7al\u0131\u015ft\u0131k, yak\u0131ndan bakt\u0131k\u00e7a foto\u011fraflar i\u00e7ine s\u0131k\u0131\u015ft\u0131k. Bir Foto\u011fraf karesine ta\u015f\u0131d\u0131k sahnemizi… Biz sustuk – g\u00f6rd\u00fcklerimiz ba\u011f\u0131rd\u0131: B\u00dcT\u00dcN BU ACILARI YOK SAYMAK, YOK ETM\u0130YOR. TEM\u0130ZLENEM\u0130YORUZ.<\/p>\n

\nOlamayan bar\u0131\u015f ortam\u0131nda<\/em>
\n \u015eiddet y\u00fcz\u00fcnden<\/em>
\n Ac\u0131 normalle\u015fiyor<\/em><\/p>\n

Ard\u0131c\u0131 susturan<\/em>
\n sessizlik kadar sabit<\/em>
\n ve sonsuz<\/em>
\n \u00f6l\u00fclerin nabz\u0131<\/em><\/p>\n

Ard\u0131c\u0131 susturan<\/em>
\n bu d\u00fcnyada y\u00fcr\u00fcd\u00fck\u00e7e<\/em>
\n kaz\u0131n\u0131yor avu\u00e7lar\u0131m\u0131za<\/em>
\n \u00f6l\u00fclerin g\u00f6zleri<\/em><\/p>\n

John Berger<\/em>
\n<\/blockquote>\n

Oyunun K\u00fcnyesi<\/h3>\n

Oyuncular:<\/span>
\nAhmet \u00d6zer
\nAltu\u011f Has\u00f6zbek
\nDerya \u015eahansoy
\nEylem Selen
\nNezih Dumral
\nP\u0131nar K\u0131l\u0131\u00e7
\nSera Ak\u0131nc\u0131lar
\nSetenay \u00d6zaydemir<\/p>\n

Reji Grubu:<\/span>
\nAltu\u011f Has\u00f6zbek
\nEylem Selen
\nSera Ak\u0131nc\u0131lar
\nSetenay \u00d6zaydemir<\/p>\n

Tekst ve Proje:<\/span>
\nD\u00f6n\u00fc\u015f\u00fcm At\u00f6lyesi Oyuncular\u0131<\/p>\n

Teknik Ekip:<\/span>
\nCeyda S\u0131k\u0131
\nTu\u011f\u00e7e Demir
\n\u00d6zge Da\u011fl\u0131\u00f6z<\/p>\n

Foto\u011fraf d\u00fczenleme:<\/span>
\n\u00d6zge Da\u011fl\u0131\u00f6z<\/p>\n

Tekst Kaynak\u00e7a:<\/span>
\nMa\u011fdurun Dili (Nurdan G\u00fcrbilek)
\nBelgesel Foto\u011fraf ve Fotor\u00f6portaj (\u00d6zcan Yurdalan)
\nBa\u015fkalar\u0131n\u0131n Ac\u0131s\u0131na Bakmak (Susan Sontag)
\nSanat\u00e7\u0131: \u00d6rnek Bir \u00c7ileke\u015f (Susan Sontag)
\nFoto\u011fraf \u00dczerine (Susan Sontag)
\nVe Y\u00fczlerimiz, Kalbim, Foto\u011fraflar Kadar K\u0131sa \u00d6m\u00fcrl\u00fc (John Berger)
\nAnlatman\u0131n Ba\u015fka Bi\u00e7imi (John Berger, Jean Mohr)
\nTarihi Yarg\u0131l\u0131yorum (G\u00fcnd\u00fcz Vassaf)
\nBeldeler Kitab\u0131 ( Faruk Ulay)
\nAnti-War Boks of the 1920\u2019s
\nForgotten Voices of the Second World War (Max Arthur)<\/p>\n

Foto\u011fraf Kaynak\u00e7a:<\/span>
\nFoto\u011fraflarla D\u00fcnya Tarihi (1940\u2019lar)
\nWar Photographer (belgesel)
\nLife Photos
\nwww.greatwardifferent.com
\n\u0130z Dergisi<\/p>\n\n\t\t\t